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Sunday, September 6, 2015
Friday, September 4, 2015
Book Review: The Luminaries
"A man walks into a bar... “ It’s the beginning of so many bad jokes. And in this case it’s also the beginning action of Eleanor Catton’s 832-page, Booker Prize winning novel, The Luminaries.
It’s the mid 1800s in the Australian gold rush town Hokitika
and the “man”, prospective prospector Walter Moody, has stumbled into a very
significant bar. Well, the bar itself isn’t significant, but the 12 men meeting
there are. The dozen membered assembly is investigating a suspicious series of
events that have brought together an unlikely assortment of businessmen,
prospectors and a variety of other men including a Maori guide, a Jewish
newspaperman and a Chinese opium salesman. They are all somehow involved in the
nefarious events surrounding a mysterious 4,000-pound fortune, the attempted
suicide of a prostitute, the death of a hermit and the vanishing of the town’s
richest man.
In another author’s hands, this exposition could lead to a
typical Gold Rush murder mystery, but Catton takes the Victorian narrative
structure and expands upon it, creating a web of events and characters so
layered and complex that by the end of the story, you still may not know what
transpired. In addition to a tricky plot and a large central cast, Catton sets The Luminaries in a Western Astrological-based
literary structure that allots a sign or celestial body to every character and
opens each chapter with a diagram that (if correctly analyzed) brings to light
the events about to occur (pun not intended). You can analyze this book in
countless different ways even ignoring the exponentially of the astrological
reading. Catton has plenty of subtle metaphors and intricacies to please the
English majors among us. The novel’s themes and many narrative arches work in a
manner that is similar to the ideas behind astrology itself. The Luminaries capitalizes on a precise
and layered plot, but also creates a veil of mysticism and surrealism that
truly embodies the duality of the astrological heavens-- both larger than life
and making order of everything on earth.
Catton’s supremely crafted setting of Hokitika is a
fascinating world removed, both physically and ideologically, from Europe. Her
language is both sparingly descriptive and incredibly lush. The book is very
wordy and there are a lot of Austen-esque quips and philosophical internal
monologues, but Catton’s prose excels in simple, yet haunting, lines that stay
with you long after you turn the page. This is a book whose text simply begs to
be highlighted or underlined in order to be looked back on later.
This is not to say The
Luminaries is a perfect novel. Some things are never fully explained
(Moody’s backstory could have been further explored or left out altogether) and
the text requires very close reading and the flipping back of pages that some
may find arduous (I gave up trying to track the origin of the bonanza that went
through about as many hands as the book has pages) and for all of its
intricacies some characters never push past one dimension (Carver, for example).
The length is a factor and there are multiple points where I felt the story
could have concluded (The end of part four, for one). In truth my biggest
critique of the novel is that it treads very close to being too tidy, a little
too aware of its own brilliance.
Perhaps the book’s merits can be best analyzed using mining
terms. The diggers of Hokitika term the yield of most miners’ claims as “a
competence”- enough dust to pay for their basic needs of room and board, and The Luminaries provides a competence of
narrative and plot- the ingenious structure and clever characters are enough to
keep the reader going. However, if you put in the time and mental energy to
fully read the text, there are nuggets of wisdom, clarity and beauty that will
truly astonish you.
Saturday, May 2, 2015
Crafty Saturdays
Collaging is probably my favorite way to relax creatively. For one, its super easy and therefore very "low risk, high reward," unlike drawing and painting which can be frustrating if you don't get it right. Collaging is also really useful for posters, wall art, birthday cards and basically anything else graphic and fun. It can be really cute and lowkey (for example, the collages I used to make of old seventeens showing the different make-up items I wanted) or intricate and artsy (more like the collages I made today).
Anyway, collaging is a great way to spend a low-key Saturday. Below are the steps I took to make one of the collages I created today.
Monday, April 20, 2015
Spring Shoes
Spring is probably my favorite season for shoes because you can pair boots with jeans or skirts or let your toes out in pre-summer sandals. Over the winter I've accumulated some new shoes that I'm very excited to wear this spring and that I think work with tons of different outfits and occasions!
H&M "Ankle Boots"
These black "leather" booties are probably the most versatile shoes I own. You can dress them up with tights and a nice skirt or go for a more casual look with jeans or a tee shirt dress.
They have a two-inch heel which gives you some height, but is completely comfortable and easy to walk in. For extra leg- length wear them with black tights, which elongates your legs.
http://www.hm.com/us/product/65684?article=65684-A&cm_vc=SEARCH
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